La Inquisición

Tracing musicology in Latin American during the twentieth century, this book presents case studies to illustrate how Latin American music has interacted with social and global processes. It addresses popular music, postcolonialism, women in music, tradition and modernity, musical counterculture, globalization, and identity construction.

Salvador Larrua-Guedes (Camaguey, Cuba, 1942) went to grade school and high school in Catholic schools in Cuba. He received degrees in journalism and mathematics, as well as a doctorate in Economics. He is a registered investigator at the Archivo General de Indias in Spain. Ex-professor at the University of Havana and the Cuban Seminar (San Carlos), he is the author of 42 history books. Monsignor Roman was a holy man, totally given to virtue, as we can observe reading the events in his life, witnessed by the thousands of people who knew and revered him. It is for this reason that this...

Esta obra está compuesta por 12 capítulos que, con diferentes marcos teóricos y metodológicos, exploran lo que acerca del cuerpo nos dicen los pueblos nawas, pumé, nahuas, yúhu, mayas, teenek, otomíes, chichimecas jonas y mixtecos. Su lectura nos permite afirmar que estos temas no están agotados para la antropología americanista.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...