Crónica del poder

Los de abjo treats what is perhaps the saddest period in modern Mexican history, a period of aimless slaughter when a whole nation was plunged into strife by leaders who had few clear ideas of what they were striving for. The reader shares the same disillusionment that the author himself must have felt as he met leader after leader whose revolutionary zeal was merely a disguise for base passions and desires.

This work contains fresh information located at the Sergei Eisenstein Museum and in his personal archive, both located in Moscow, which clearly indicates that there is still more to say about the Soviet director's unfinished movie, financed by Upton Sinclair. The discovery of the first version of the screenplay as well as books on Mexico and bullfight programs enables the manner in which the film developed and was structured through short stories to be reconsidered.

Primer estudio monográfico de la Revolución Mexicana, a través de fotografías tomadas entre 1910 y 1930. Son fotografías tomadas particularmente por fotógrafos mexicanos, descubriendo un gran número de profesionales -no sólo Agustín V. Casasola- que cubrieron el conflicto armado: Samuel Tinoco, Antonio Garduño, Manuel Ramos, Gerónimo Hernández, Amando Salmerón, Cruz Sánchez, Sara Castrejón, brothers Cachú, y Hugo Brehme entre otros.

1888, pt. 2, includes meteoroloical observations reported from the Observatorio Meteorológico-Magnético de Central Mexico, for the years 1877-1888.